October 10 – November 5, 2022
Ars Nova @ Greenwich House
Name Your Price Tix Start @ $5
In Melis Aker’s world premiere play HOUND DOG, a young musician returns from abroad to her hometown of Ankara, Turkey to look after her widowed father. Forced to reckon with the family and community she left behind, an investigation into her grieving parent’s strange pilgrimage to Graceland unravels into a sonic mirage of memory packed with humor, nostalgia and the love we cultivate across generations. Directed by Machel Ross with music by Aker and the Lazours, this cross-cultural jam-session-meets-play explores the winding path towards forgiveness and belonging.
A co-production with PlayCo
With Name Your Price Tickets, you decide what you pay! For every dollar you spend on your ticket, we spend the following on the show:
To cover all those expenses for the entire run of the show, every ticket would need to sell for $180!
Learn more about our Name Your Price Tickets Initiative here.
With Name Your Price Tickets, you decide what you pay! For every dollar you spend on your ticket, we spend the following on the show:
To cover all those expenses for the entire run of the show, every ticket would need to sell for $180!
Learn more about our Name Your Price Tickets Initiative here.
Writer & Composer Melis Aker
Composers The Lazours
Director Machel Ross
Orchestrations by Avi Amon, Daniel Lazour & The HOUND DOG Band
Music Director & Sound Designer Avi Amon
Set Designer Frank J. Oliva
Costume Designer Qween Jean
Lighting Designer Tuçe Yasak
Props Designer Patricia Marjorie
Wig Design Tommy Kurzman
Associate Director Federica Borlenghi
Assistant Set Designer Michael Ruiz-del-Vizo
Assistant Costume Designer Amelia Camilo
Associate Lighting Designer Roya Abab
Associate Sound & Systems Designer Jamie Tippett
Music Assistant Brandon Fillette
Casting The Telsey Office/ Destiny Lilly, CSA
Production Stage Manager Bryan Bauer
Assistant Stage Manager Caren Celine Morris
MELIS AKER is a writer, actor, and musician from Turkey, based between London and New York, and recently named a “Women to Watch” by the Broadway Women’s Fund. She currently has a series in development with Skybound Entertainment, and the upcoming London premiere of musical play Hundred Feet Tall with Benjamin Scheuer and Jemima Williams, adapted from their eponymous children’s book. She will also be voicing a role in a new audio series from the creators of “Archive 81.” Melis is the recipient of the Sundance Interdisciplinary Program grant and the New York Community Trust/Van Lier Fellowship. She has had writing commissioned by and developed at Atlantic Theatre Company (Middle East Mixfest), Ars Nova (Play Group member), New York Theatre Workshop (2050 fellow), Dramatists Guild (DGF fellow), The Eugene O’Neill Theatre Center, National Alliance for Musical Theatre, Goodspeed, New Group, Roundabout Space Jam, LaMaMa, the Lark, Noor, Golden Thread Productions, 24 Hour Plays, Magic Theatre and BRICLab in the U.S., as well as the Finborough and Park theatres in the U.K. Melis’ screenplay ARI (Bee) was at the 2019 Cannes Film Festival as part of Maison des Scenaristes, and her series pilot for MANAR was selected for the Orchard Project’s Episodic Lab, and IFP week. She has also worked on the development of a screenplay with Revelations Entertainment headed by Morgan Freeman. Her plays include: Hound Dog, Scraps and Things, Field, Awakening, Dragonflies, AZUL, When My Mama was a Hittite, Fractio Panis, Manar, 330 Pegasus: A Love Letter, Indigo Dreams, OPET Diaries, and Gilded Isle. She has taught at NYU, The New School, and King’s College London. Education: King’s College London (PhD), Columbia University (MFA), Royal Academy of Dramatic Art (Acting), Tufts University (BA). Representation: CAA and Brillstein Entertainment Partners.
THE LAZOURS: Daniel and Patrick Lazour are brothers and music theater writers. Their musical We Live in Cairo premiered at the American Repertory Theater in May 2019 directed by Taibi Magar. Their album Flap My Wings (Songs from We Live in Cairo) was recorded in quarantine and features the Lazours as well as major activist-songwriters from across the Arab world. Their new musical community project, Night Side Songs, about cancer treatment, patients and caretakers was workshopped at the Johnny Mercer Writers Colony at Goodspeed Theatre, Yaddo and is being developed with the American Repertory Theater and Harvard University. They are working with Ritesh Batra to adapt his film The Lunchbox for the stage, commissioned by Lincoln Center Theater. Their movie musical Challenger: An American Dream is about Teacher in Space Christa McAuliffe and the Reagan White House; and they are developing a 60-minute song titled Romulus & Remus, or How We Came to Live in the Festering Wound of the West. Patrick and Daniel were 2015-16 Dramatists Guild Fellows, MacDowell Fellows and are New York Theatre Workshop Usual Suspects. They were artists-in-residence at the American University in Cairo and are teaching artists at Lincoln Center Theater. @frereslazour
MACHEL ROSS (she/her) is a Dominican American director and creative collaborator based in NYC, who specializes in the development of new work and aesthetic world building. Regardless of medium, she’s invested in generating rigorous images, in support of framing stories to their fullest potential. She’s developed work with Aziza Barnes (NANA), Agnes Borinsky (A Song of Songs), Daniella De Jesús (Mambo Sauce), Deaf West (T), PigPen Theatre Company (Phantom Folktales), Ellen Winter (This House Is your Home), and directed the world premiere of Jeremy O. Harris’ Black Exhibition at The Bushwick Starr, where she is now the Associate Artistic Director. Machel is a 2022 Lily Award winner, a 2020-2022 WP Directing Fellow, a 2020 Sundance Theater Lab fellow, and a 2019 grant recipient of the Women’s Fund for Film, TV and Theatre for her short film Signs He Made at Home. BFA-NYU Playwrights Horizons Theater School.
AVI AMON is an award-winning, Turkish-American composer, sound artist, and educator. He is a sought-after collaborator in theater, film, dance, and experiential art. Recent work includes music, songs, and sound design for projects at: Atlantic Theater, The Civilians, Festival de Cannes, HERE Arts, Johnny Mercer Writer’s Grove at Goodspeed, Oregon Shakespeare Festival, New Harmony Project, The New Victory, PlayCo, Roundabout Theater, St. Louis REP, and Tribeca Film Festival. Avi will release a new album soon, and is composing music for an audio series created by Claire Kiechel and Sarah Einspanier for Spotify/Gimlet. He also recently scored the short film, INCOMPLETE (directed by Zoey Martinson), which is out on Hulu now. Avi is the resident composer at the 52nd Street Project, an inaugural fellow with THE WORKSHOP at the Hendel Center for Justice & Ethics, and teaches at NYU Tisch. aviamon.com.
FRANK J. OLIVA is a Cuban-American Stage Designer. With Machel Ross: Black Exhibition, A Song of Songs (Bushwick Starr) Bernarda Alba (Playwrights Downtown), Tiny Desk (NPR), and others. Recent work with The Shed, Clubbed Thumb, Weston Playhouse, Geva Theatre, Two River Theatre, Miami New Drama and The Cincinnati Symphony. Associate Designer: Hangmen, Oklahoma! and West Side Story. Executive Committee Member of Wingspace, Member of USA Local 829 and graduate of NYU. frankjoliva.com.
QWEEN JEAN is a New York City based Costume Designer who has fully committed her voice to the advocacy of marginalized communities, emphasizing Black Trans people. Recent theatre: soft, Corsicana, Wedding Band, On Sugarland, Black No More, I Need Space, Macbeth In Stride, Semblance, Our Dear Dead Drug Lord, Siblings Play, Amen Corner, Rags Parkland Sings The Songs For The Future, Good Grief, Othello, and the acclaimed What to Send Up, When it Goes Down. MFA from NYU Tisch. Black Trans Lives Matter!
TUÇE YASAK has been following light in NYC since her move from Istanbul to New York in 2009, creating over 100 site-specific light installations for performance in the US and abroad. Yasak received the 2018 BESSIE (…Memoirs of a… Unicorn by Marjani Forte-Saunders at Collapsable Hole and NYLA) and 2019 BESSIE (Oba Qween Baba King Baba by Ni’Ja Whitson at Danspace) for Outstanding Visual Design with her lighting design. She has been collaborating with Raja Feather Kelly and the feath3r theory since 2015. Among her recent collaborations: Wednesday, UGLY, HYSTERIA and BLUE by Raja Feather Kelly (New York live Arts, Bushwick Starr and ImpulsTanz),This Bridge Called My Ass by Miguel Gutierrez (The Chocolate Factory/NY, Montpellier Danse Festival/France, The Walker Center/Minneapolis, PICA/Portland), We’re Gonna Die written by Young Jean Lee, directed by Raja Feather Kelly (2nd Stage Theater/NYC), M—ER by Autumn Knight (On The Boards and Abrons Arts Center), JoyUS JustUS by Contra Tiempo (national tour and Jacob’s Pillow), Cannabis among others. Light, movement and architecture intertwine in Yasak’s work to support space-making and story-telling. Her Light Journals were presented in March 2021 by Ars Nova and her first solo installation “light is generous” was presented by Five Myles Gallery in July 2022. HOUND DOG is her first collaboration on a play from her homeland in her 13 years in the USA .
FEDERICA BORLENGHI is an Italian-born Writer, Director and Producer based in BK. Federica’s work surrounds multicultural and multilingual experiences. Her education is rooted in the fine arts and in the digital universe. Her multidisciplinary interests heavily influence the way she presents theatrical productions, which culminate into sensorial experiences featuring live music, movement and visual art. She has vast experience in developing new plays. federicaborlenghi@gmail.com.
MICHAEL RUIZ-DEL-VIZO is a Scenic Designer based in New York and Miami. Michael earned his BFA in Production Design at the Savannah College of Art and Design. Selected Credits: Randy’s Dandy Coaster Castle (Egg&Spoon), The Bluest Eye (Theatreworks), ON YOUR FEET! (Carol Morsani Hall), Sense and Sensibility (SCAD). Michael is an avid fan of Drag, comedy, and podcasts and is an all-around nice person. His work is available at michaelruizdelvizo.com, and you can follow them @mikyle91.
AMELIA CAMILO (she/her) is a New York based Costume Designer and artist. Her design work has previously been seen in productions such as Gumiho, Rosencrantz And Guildenstern Are Dead, and Memphis. Recent assisting credits include On Sugarland, Black No More, and Corsicana. She holds a BFA in Costume Design from Pace University. You can find more of her work online at ameliacamilo.com or on Instagram @ameliacamilodesign.
ROYA ABAB (she/her) Roya is an Iranian-American freelance lighting designer, lighting director and programmer based in New York City. She is the Lighting Director for the Alvin Ailey American Dance Theater and the Vail Dance Festival. Roya is a long time collaborator of Tuçe Yasak and is thrilled to be part of the HOUND DOG team.
JAMIE TIPPETT (they/he) is a sound designer and engineer. Off-Broadway: Little Girl Blue (New World Stages). Regional: Orlando (Williamstown Theatre Festival), Summer’s Soldier (Williamstown Theatre Festival). Assistant design and engineering credits include work at New York Theater Workshop, Atlantic Theater Company, Theatre For a New Audience, Audible @ Minetta Lane Theatre, Williamstown Theatre Festival, Berkeley Repertory Theatre, and more. Education: Stanford University, B.A. & B.S.
BRANDON FILLETTE is a freelance artist for hire, working as an arranger, transcriber, musician, actor, music producer, and music director. A recent graduate of BerkleeNYC ‘22 (Writing and Design for Musical Theatre), he is interested in telling new and exciting works, supporting other creative artists to bring their stories to life. He is thrilled to continue working on HOUND DOG through Ars Nova!
THE TELSEY OFFICE / DESTINY LILLY, CSA
With offices in both New York and Los Angeles, The Telsey Office casts for theater, film, television, and commercials. The Telsey Office is dedicated to creating safe, equitable, and anti-racist spaces through collaboration, artistry, heart, accountability, and advocacy.
BRYAN BAUER Broadway: Slave Play. Off-Broadway: Mrs. Murray’s Menagerie, KPOP (Ars Nova); Richard III (The Public Theater); Slave Play (New York Theater Workshop); The Things That Were There (The Bushwick Star); Tambo & Bones, Selling Kabul, Dance Nation, Miles for Mary, Bella: An American Tall Tale, (Playwrights Horizons); We’re Gonna Die (2ST). Regional: The Black Clown (A.R.T/Lincoln Center); Skeleton Crew (WCP); A Christmas Carol (Lyric Theatre); Bernstein’s MASS (Canterbury Chorale Society). Dance: Oklahoma City Ballet, Vail Dance Festival. OCU Alum.
CAREN CELINE MORRIS (she/her/hers) is a multidisciplinary theater artist from The Bronx. She aims to promote inclusion, diversity, and accessibility in all of her projects. Caren has worked on projects with The Tank, The Shed, Ping Chong & Company, Derek Fordjour Studios, The Public Theater, and The Bushwick Starr.
OLIVIA ABIASSI (she/her) is a Lebanese-American actor + writer based in Brooklyn. Recent theater credits include: First Down (59E59), Eh Dah? Questions For My Father (NYTW Next Door), and The Commons (59E59). Additionally, she is working on a new motion-capture video game project, performing stand-up, and co-writing/producing her first comedy pilot. IG: @justoliviadoingthings.
ASHLEY BAIER An avid theater musician, percussionist/drummer Ashley Baier has performed on Broadway with Six and The Lightning Thief, appeared at La Jolla Playhouse and on tour with Hundred Days, and toured nationally with How the Grinch Stole Christmas. A proponent of new musical theater, she originated the drum books for several musicals including Interstate, American Morning, and Pryor Rendering. She can be seen playing throughout NYC with Brass Queens. ashleybaier.com.
ELLENA ESHRAGHI Originally from Southern California, Ellena moved to New York to earn her BFA in Drama and Dramatic Writing from NYU Tisch School of the Arts— where she studied at the Atlantic Acting Studio and Stonestreet Studios. She served as a member of NYU’s premier sketch comedy group Hammerkatz for four years, serving as the director of the group for two years. HOUND DOG is her New York stage debut. ellenaeshraghi.com @ellenaesh
MEL HSU is a sonic painter of impossible worlds. As a multi-instrumentalist, Mel often ventures from her classical roots as a cellist into unexpected, cross-disciplinary collaborations. Rooted in Philadelphia, Mel’s restless spirit finds adventure across time zones and oceans as musical and administrative support for others who inspire her. Mel is a spreadsheet nerd, a slow reader, and a shameless instigator of kitchen dance parties. melaniehsu.com.
MATT MAGNUSSON is thrilled to be making his Off-Broadway debut. Other favorite credits include: Mr. Holland’s Opus (World Premiere), Jersey Boys (Ogunquit Playhouse), Grease (ElginWintergarden Theatre), Spring Awakening (Over the Moon Prod.), American Idiot (Glory Struck Prod.), Floyd Collins (La Miranda PAC). Film: American Girl, Nightingale: A Melody of Life, The Secret Life of College Girls, Saint, Hallpass Nightmare. When not acting Matt is writing and recording music with his wife in their band Big Sur Bound.
SAHAR MILANI is a Lebanese-Iranian actor, singer, and musician based in Brooklyn. Off-Broadway: The Visitor (The Public Theater), Borders (York Theatre), 7 Doors (BAM), Akhenaten the Musical (Triad Theater). TV: “The Endgame” (NBC), “Let the Right One In” (Showtime), “Law & Order” (NBC). Upcoming Film: “The Visitator”, starring alongside Kevin James. So much gratitude and love to the Flaming Sultans Band and everyone on Team Music for their trust, guidance, and genius. For my Dad, always.”
LAITH NAKLI is a Syrian actor/writer. He studied acting at the William Esper Studio and made his stage debut in War at the Rattlestick Playwrights Theater Company. Other credits include Cry of the Reed (Huntington Theatre), Inana (Denver Center), Aftermath (NYTW), Food and Fadwa (NYTW). His play, Shesh Yak, premiered at the Rattlestick Playwrights. He can currently be seen as Uncle Naseem on the HULU series Ramy and Sheikh Abdullah on MARVEL’s Ms Marvel. Film & TV credits: Swallow, 12 Strong, The Wall, The Long Road Home, The Blacklist, Third Watch, The Sopranos, among others.
JONATHAN RAVIV is thrilled to be joining Ars Nova and the crew in the world premiere of HOUND DOG. An Emmy Award winner and original cast member of the 10-time Tony Award-winning musical, The Band’s Visit, Jonathan has extensive off-Broadway and regional theater, television and film credits and has done voice over, commercial and motion capture work. Follow him: @jonathanraviv.
MAYA SHARPE is a multi-passionate maker and thinker. Maya’s passion lies in exploring simplicity in humanity through composition to demonstrate that there is more of a connection and love between everything than the politically derived disconnect and hatred. Maya has been seen on stage in such things as; HAIR (The Public Theater, Broadway & West End), Anything That Gives Off Light (The TEAM), La MaMa Cantata (La MaMa), 1969: The Second Man. (NEXT DOOR @nytw), Animal Wisdom (Bushwick Starr) and many others. Maya has a band called Maya Sharpe & The Natural, performed in various venues in NYC and Los Angeles. mayasharpe.com
Support for this production provided by the Venturous Theater Fund of the Tides Foundation.
Performances begin on Saturday, October 10 at 7PM, and the regular show schedule will be Monday – Saturday at 7PM with additional performances on Saturday at 2PM beginning October 22.
For Wednesday Evening and Saturday matinee performances, audiences will be required to show proof of vaccination with ID and remain masked while inside. Bars Nova will be closed for these shows. Those performances are:
Wednesday, October 12 @ 7PM
Wednesday, October 19 @ 7PM
Saturday, October 22 @ 2PM
Wednesday, October 26 @ 7PM
Saturday, October 29 @ 7PM
Wednesday, November 2 @ 7PM
Saturday, November 5 @ 2PM
Performances of HOUND DOG will take place at Ars Nova @ Greenwich House, located on 27 Barrow Street, New York, NY, 10014.
Performances begin on Thursday, October 10 @ 7PM, and the regular show schedule will be Monday – Saturday @ 7PM with additional performances on Saturday @ 2PM beginning October 22. All Wednesday evening and Saturday afternoon performances will require audiences to provide proof of vaccination against COVID-19 and to wear a mask for the duration of their time in the theater. Click the “calendar” tab to view our full performance schedule.
Seating is general admission and first-come first-served. So, the earlier you arrive at the theater, the more choice you’ll have about where you sit! (Bonus: cheapest drinks in Greenwich Village are at Bars Nova!)
The surest way to guarantee you have some of the best seats in the house is to become a Super Nova. Super Novas never hear “sold out,” get reserved seats in prime locations, and help make what we do possible! Find out more HERE.
For our 20th anniversary season, we’re giving the power to the people! For every show this year, you get to name your ticket price. Tickets start at $5. Our credit card and ticket processors each add fees to your ticket price; Ars Nova does not set these fees or keep these funds.
Once you’ve selected your performance date and time at check-out, you’ll see a number of ticket price options. Select the price point you want to pay and the number of tickets you’d like to purchase and they’ll be added to your cart. After that, continue through the check-out process and you’ll be all set!
The show runs approximately 90 minutes with no intermission.
There is no late seating or re-entry, so arrive early, nab the best seats, and leave yourself a little extra time to arrive and use the restroom before the show begins.
In the event either you or we need to cancel our plans, we’ll work with you to reschedule your tickets to a future performance. Should you no longer be able to attend a performance after purchasing tickets, we hope you’ll convert your ticket purchase into a donation.
68% of every dollar that you spend on a show goes directly to paying the cast, crew and creative team that made it. And, we are committed to paying them regardless of any cancellations that may be necessary to protect everyone’s health and wellbeing. We thank you for your support making this possible!
We recognize that mask mandates are being eased in many public spaces as more tools for individuals to protect themselves depending on their own risk- and comfort-levels (including vaccinations, antiviral medication, and high-quality filtration masks) are now widely available. We welcome and encourage mask-wearing to protect yourself and others, but we will not be requiring them at most performances. Additionally, we strongly encourage all audience members to get vaccinated and boosted in accordance with public health guidelines. As public health experts and officials have long-stated, this is our best protection against severe illness and hospitalization from Covid-19. 89% of the adults in our community fully vaccinated—as well as continued evidence that vaccination is not a major determinant of the spread of Covid-19—we will no longer require proof of vaccination before entering the theater except at designated performances.
If you would feel more comfortable attending a performance with a fully masked and vaccinated audience, please select one of the performances that best accommodates you. For more details visit our Heath & Safety FAQ page.
Certain performances each week will be designated just for you! For the entire run of HOUND DOG, all Wednesday evening and Saturday matinee performances will require masks and proof-of-vaccination, and Bars Nova will be closed for these select performances so that audience members can remain fully masked for the entirety of the performance.
HOUND DOG is wheelchair accessible, however should you wish to let us know about your specific access needs ahead of your visit, we’ll be sure to best accommodate you. Access needs and accommodations can include, but are not limited to:
Please note: this production contains haze, strobe and violence.
Ars Nova is uncensored. We provide content advisories — to the best of our ability — to inform audiences when shows contain racial violence, racist language, sexual violence or nudity. We provide information about this type of content in advance, based on our core values, so that each audience member can make an informed decision about if and how they’d like to engage with that content. We welcome artists to share additional information about their shows based on their own core values.
With Name Your Price tickets, we provide a range of ticket prices from $5 – $100 as well as information about what each dollar you spend on the show supports, and you decide what valuation is right for you.
For this spring’s shows, all single ticket revenue is passed on directly to the show’s lead artists!
Yes! While Ars Nova does not charge any fees, both our credit card and ticketing processors do. These fees go directly to our processing partners; we do not set the amount of these fees or keep any of these funds.
We’d love to offer you the ability to write-in any amount you’d like for a ticket, but our ticketing platform does not currently support this option.
All our shows this year are general admission. While you are not able to select your seat location in advance, you do have two options if location is important to you: