The Ballad of Pretty Polly

Sarah Lawrence, Liz Olear, Emilie Pass, Ari Dalbert, CryBaby, Steven Wendt, Shannon Buhler

Third date. Real estate guy. Questionable vibes.

When Pretty Polly slips away to steady herself, a journey into a surreal parallel universe ensues. Her quest for survival and selfhood unfolds through live music, video, drag, shadow puppets, costume, and tampons shooting out of eyeballs. Will she sing the same old chorus or write a new verse in her ballad?

SATURDAY, SEPT 12
DOORS @ 6:30PM | SHOW @ 7:00PM
ARS NOVA
511 W 54TH STREET

ANT Fest shows will premiere on Ars Nova Supra later this fall. Ars Nova Supra is our digital platform where you can stream all of our one-night shows on-demand. For the low price of $15/mo, you can access an entire seasons worth of comedy, music and theater from our groundbreaking artists, and additionally you can cancel your subscription anytime!

Sarah Lawrence (she/her) is a textile artist, costume designer and musical performance artist based in New York City. Her work is rooted in storytelling and lived experience, exploring the emotional and narrative power embedded in the garments we wear. Her design work has been presented at theaters across New York City, including Abrons Arts Center, JACK, The Flea Theater and Blue Man Group. Her costume design and performance art have been featured in The New York Times, Time Out New York, and Behavior Magazine. Sarah holds a BFA in Interdisciplinary Design from Parsons School of Design (’15).

Liz Olear is a comedian and writer specializing in absurd, character-driven comedy. She performs regularly throughout New York City and is a member of the sketch team Chimp Cocktail (UCB, Second City, Edinburgh Fringe ’25) and the band Pretty Polly. Her work has been featured in Time Out, Office Magazine, Pineapple Street Studios, and Miu Miu’s Tales & Tellers. She is the host of Heads Will Roll with Gigi Burris and the podcast Me & My Real Housewife.

Emilie Pass (she/her) is a Brooklyn-based writer, director, and creative producer of new work. She has developed and assisted on projects at spaces including Berkeley Repertory Theater, EST, Dixon Place, and the Flea Theater. She is also a fundraiser for City Harvest, a food rescue and delivery organization. In addition to The Ballad of Pretty Polly she is currently working on her debut novel and a musical about cryptocurrency.

Ari Dalbert is a New York based actor and musician. He was a performer in Blue Man Group at the Astor Place Theatre for 5 years. Most recently, he starred in Isa Spector’s Real Estate at The Brick. You can see him on TV in School Spirits, Law and Order: SVU, The Copenhagen Test, and Marvel’s Inhumans.
CryBaby (she/they/it) is a drag artist, SFX makeup artist, and slutty horror ENTHUSIAST bringing whimsy and mischief to the neighborhood. Popularly known as spooky slut from your wettest nightmares, CryBaby hosts The Whorror Icon Podcast; a video podcast where they discuss horror movies and all things scary, sexy, and stupid. They love to play around in the subversive and irreverent, making sure that each number has a point of view with a wicked sense of humor. Rumor has it if you say CryBaby’s name in the mirror three times they will show up and ask for a hit off your vape.
Steven Wendt is Creator/Performer of THIS & THAT at The Chocolate Factory Theater & HERE Arts Center (NYC 2022), Barbican PIT Theater (London 2024), Theatre Garonne (Toulouse 2026), PLATO CAVES: Screens vs Shadows CFT 2026, Blue Man Group (Blue Man) Astor Place Theater NYC (2012–2025). Wendt also assisted in developing the 2022 Blue Man Group North American Tour. Other projects include shadow design and live foley for Open Throat at Little Island NYC (2024). Wendt is a recipient of a NYSCA 2026 Support for Artists Grant, Puppeteers of America Jim Henson Innovation Award 2023, and was nominated for a Henry Hewes Notable Effects Award 2023. Graduate of Walnut Hill School for the Arts and The California Institute of the Arts ’09. stevenwendt.com
Shannon Buhler is a corporate robot by day, performer and consumer of art by night, based in Brooklyn, NY. She previously worked as an off-broadway theatre administrator for 6 years and has performed in various capacities across the Midwest and NYC for over 20 years. Shannon has also been a volunteer advocate for the Crime Victims Treatment Center since 2019 (google them, they’re an amazing organization!). Proud to be a Pretty Polly freak and super fan.

This show will take place at Ars Nova, located at 511 W 54th Street, New York, NY 10019.

Seating is general admission and first-come first-served. So, the earlier you arrive at the theater, the more choice you’ll have about where you sit! (Bonus: the most affordable drinks in Midtown are at Bars Nova!)

The only way to guarantee you reserved seats is to become a Super Nova. Super Novas never hear “sold out,” get reserved seats in prime locations, and make fair wages and accessible tickets possible. Learn more about becoming a Super Nova here!

If a performance is sold out, you can join a standby line for day-of-show tix made available by minute cancellations and no-shows. Standby will begin 1 hour prior to curtain and will form outsideFolks from the standby line will be admitted into the show on a rolling basis as availability is confirmed. 

Additionally, Supra is never sold out! If you can’t make the show in-person, you can always stream online for only $15/mo, which gets you unlimited streaming access to performances from the last year. You can cancel your membership anytime by emailing contact@arsnovanyc.com.

Yes. The processing fees are charged by our ticketing and credit card processors, and increase along with the base price of your ticket.

All sales are final – there are no refunds or exchanges.

If you’re unable to use your tickets, you may donate them in exchange for a letter of tax credit by emailing tix@arsnovanyc.com.

Ars Nova is uncensored. We provide content advisories — to the best of our ability — to inform audiences when shows contain racial violence, racist language, sexual violence or nudity. We provide information about this type of content in advance, based on our core values, so that each audience member can make an informed decision about if and how they’d like to engage with that content. We welcome artists to share additional information about their shows based on their own core values.

Ars Nova is wheelchair accessible. If you wish or need to remain in your wheelchair throughout the show, our staff will remove the theater chair. This can be done by letting us know your needs/plans in advance; just email Taylor Rey. It can also be done without prior notice when you arrive! If you wish to transfer to the theater seat from your wheelchair, we are happy to store your wheelchair or motorized mobility aid in the lobby during the performance. The House Manager will return your mobility device to you at the end of the performance as this show has no intermission.

About 25% of the seating is on the ground floor of the theater and does not require using stairs to access. There are five six-inch steps to get into the building.

All remaining seats require no less than one and no more than three steps to access.

Licensed service animals (any dogs that are trained to do work or perform tasks for people with disabilities) are welcome at Ars Nova. They must rest in your seating area throughout the performance and are unable to occupy the aisle. Please bring proof of certification or a license for your service animal and be prepared to present it to the House Manager upon request. You can send advance notice to tix@arsnovanyc.com, which is appreciated, but not required.

Our bathrooms are stalled, all gender restrooms – everyone is welcome to use any bathroom of their choice. We have two single-person restrooms in the lobby; with the wheelchair accessible option located right outside the theater on the first floor (doors 7 feet 10 inches x 3 feet 10.5 inches).

We have space that can be made to offer privacy for feeding should you need at any time. See the House Manager onsite and they will arrange a comfortable space, with storage and refrigeration for your materials.

The audience seating locations could be in, around and throughout the playing area. Performers will be within 3’ of you.

The seating is a combination of chairs.
Black Chairs with back: 19” wide x 32.25” high x 21.75” deep with a 500lb capacity
Black Counter height: 16.5” wide x 38” high x 18” deep with a 500lb capacity

The doors for entry into the building are 7 feet 10.5 inches x 3 feet 7 inches (external) and 7 feet 10 inches x feet 10.5 inches (internal).

Box Office height is 3 feet 6 inches and the Bar height is 3 feet 8.5 inches.

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